Project Runway: Licious is the night

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It felt like a character-heavy night last night, as Project Runway gave its designers their first trip to Mood this season. Please don't make us hate the show. Characters on reality competition series' are great when they're stumbled upon. Not foisted.

Take Stella. I don't think any of us would think for a second that she isn't in real life exactly how she is on the show. Slow-witted, snooze-button-hitting, and fascinated with grommets. I don't much like her, but God bless her, she's genuine.

Compare that to Suede, who uses more third person in the first 10 minutes of this episode than any person could be expected to swallow in a lifetime. And sweet Moses, those six-guns. Or Blayne, who exits his Atlas flat in the pre-competition dawn holding his lower back like he's pregnant. "Timlicious." 'Nuff said.

Heidi promises a model twist that never actually happens (unless this is literally your third time watching the show and the other two were also this season), and the designers learn that Tim will hand out their challenge during "a night. On the town." It was a very deliberate pause, and if any designer thought they were going to hit up friggin' Meow Mix...well, let's just say that some of the designers aren't very sharp (I'm looking at you, Jerell).

Everyone dons their dorky rain ponchos, and Tim leads the crew out to...a City Sights bus! Their challenge will be to design a look meant for a night out on the town, using New York at night as their inspiration. It's a pleasant enough twist on the Season 2 inspiration challenge, and it's sort of fun to see Stella actually look happy about something as she wheels around on top of the double decker.

The designers are split into groups headed to four different iconic NYC locales: Greenwich Village, Columbus Circle, Times Square, and the New York Public Library (the one with the lions, yes). Stella's genuine charm fades into irritated bemusement on my part, as she rages against the machine (camera) she's been given for this challenge. "HOW DO YOU ZOOM?" Ugh.

Kelli's going post-apocalyptic, which could be good or very, very bad. Emily has an interesting concept with a long-exposure movement and light shot, but we've seen how she can run with a good idea straight off a cliff. Terri's going graffiti; Santino says "NOOOOOO!!" And Keith of the do-rag and wifebeater...well, he's a tattooed, foul-mouthed, gay Mormon. In other words, sinner sinner sinner. How does that work? Oh, and he's rude; Stella and Kenley are none too pleased at his shot-blocking.

The designers are told to choose one inspiration pic, and then they're off to Mood with a hot C-note. Blayne's got five different neon colors in his pic. Oy. Kenley sagely informs us that she models her look and her designs on 40's and 50's calendar girls. Amazing! I never noticed. And once again, Stella needs HEAAALP. Her inability to feel comfortable with any non-leather fabric (or fingerquotes-fabric) causes something of a tantrum at Mood.

Work will end in 13 hours (1 AM), and the designers are looking their most confident so far this season. Terri (my personal favorite) is very happy with her fabric, which thankfully is not the same graffiti print as Santino and Austin of years past. Kenley's happy too, but Joe seems to think she's got "a little Ft. Lauderdale, lawn-cusiony" thing going on. I tend to agree. Meanwhile, our two least favorite caricatures keep on doing their things. Blayne starts staring at Kenley a la Andrew in Top Chef, and--hey, did Suede just say "my" instead of "Suede's"?? It's a breakthrough!

Leanne, I'm fairly certain, is asleep. Not sure. Although she's putting together quite the skirt. Emily's movement-and-light motif is doing the crash-and-burnwe thought it would; looks like hers, and not Korto's, is going to be the "Carmen Miranda moment" we were promised in the promos. It looks like a take on a flamenco outfit. Sinner Keith has a Tibetan prayer flag issue, and it's not working. Stella, meanwhile, is annoying everyone with her grommet pounding. And does anyone else think that Terri's picture wasn't actually meant to be blurry?

Tim's check-in shows that Leanne is indeed doing good things with her skirt, although she's moving slowly with the top. Jennifer, on the other ha--wait a minute. Isn't that Leanne? Shit! Those are two different people! Huh. Keith's windswept look is too shapeless for Tim, but you know Tim. He's still got faith. Tim thinks Kenley's look is verging on costumey, but it's got a nice silhouette. Again, I agree.

After warning Kelli against falling short of the judges' expectations of her and of this challenge, Tim embarrasses himself and all of us by trying to decipher Blayne's street slang. Tim, please: don't try to add a new phrase to your lexicon. The forced character rule works for hosts and advisors too.

On runway show day, Stella dons a horrible pair of striped pants, and Keith learns somewhat matter-of-factly that his model had to drop out of the competition. He will therefore get the model that was most recently eliminated. Daniel gets the designer line of the night: "Could you lift a boob up a little?" Meat market fashion talk always makes me laugh. At the runway, Sandra Bernhard is introduced as the guest judge. Please God let her shtick be kept in check.

And now, my runway thoughts.
  • Keith: Yep. Prayer flags in the breeze.
  • Blayne: Actually, a decent effort. Good depth of texture.
  • Joe: A little literal, but cute.
  • Emily: Oof. More unfulfilled promise.
  • Leanne: My notes simply read: "Strong." She done good.
  • Jennifer: The previous contestant critiques as "matronly" are dead on. The model looks pregnant.
  • Jerell: Good effort, loose fit.
  • Kelli: A little too punk?
  • Daniel: Too busy in the middle.
  • Kenley: Tim nails it in my book. Good silhouette, ugly otherwise.
  • Suede: Suede has concerns about inspiration being too far from the final product. Suede's concerns are well-founded.
  • Stella: Kinda lifeless.
  • Korto: A plain, black jumpsuit? You ain't winnin' with that.
  • Terri: I cannot like her more at this point. She's great!

Keith, Kenley, Emily, Terri, Jennifer, and Leanne will be judged. I have to say, I'm feeling good about my judging ability. With the exception of Kenley. What are they seeing?

Well, they're seeing the same damn thing I am, except they like it. They like it for being a little "Joan Collins, power-bitch," as Michael puts it. They like the gauzy little blob on one hip. Nina goes so far as to acknowledge the dated quality of the dress by saying basically that if the girl were young enough to not know how ugly it is, that girl would like it and wear it. WHAT THE HELL IS GOING ON HERE?

Keith, predictably, has too much white and too much fluttery. Toilet paper is Michael's comparison. I still say Tibetan prayer flags, but whatever. Jennifer's "Holly Golightly goes to a Salvador Dali exhibit" is more "Headmistress joins the Navy," and none of the judges particularly like it. And yes indeed, Emily's design is the Carmen Miranda Moment (what a great band name that would be, although I don't know what kind of music it would play), and it draws wide scorn.

The real duel, to me, appears to be between Terri and Leanne. And the overall winner for line of the night comes from Sandra Bernhard of all people, who describes the attitude conveyed by Terri's very slick open-backed dress over long and really chic pants, if the wearer were confronted in a dark alley: "I have a knife and I will cut you up." Everyone loves Terri's look. I don't see anyone really stepping to her.

But Leanne's design is pretty darn good, too. As a separate, it amazes the judges for its finish and versatility. The judges comment that Leanne's a quick study in self-editing. Inspired by a grate around the base of a tree, Leanne created a really professional look, and if it wasn't up against Terri's, I'd say it's the winner.

But then when the designers come back, and Terri is sent back safe first, my jaw drops. The winner? Kenley. I'm really not prone to this, but my notes read "WTF?"

At least the bottoms look predictable. Leanne is obviously safe, and Keith gets by on the basis of good karma. Emily shares a wink with Jennifer that reads just as much as "catch ya later, loser" as it does "don't worry, we're both in the same boat." There's no way that Emily is gonne los--EMILY LOSES. Again, my shock overrode my typing skills. The notes say: "EMILY? SRSLY? COME ON!!"

That about sums it up. I think the bottom and top groups were generally well-defined, but the winner and loser were just plain wrong. I ain't mincing words. Wrong. You hear me, Heidi?

Sabotage, cultural ignorance--and maybe even a little homophobic blaze o' glory?--all coming next week! Vigilance!

Project Runway: Green is the new, well, green.

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I came into this episode of Project Runway 15 minutes late, so I guess it's appropriate that it took me 5 days to get the recap up. I took a mental health vacation on Thursday and Friday, and was out of town for the weekend, and just didn't feel like sitting at the computer.

This episode begins with the usual 2nd-ep model swap, and Jerell is all salty 'cause someone took his model. He better get used to it. We learn, in short order, that this challenge will see the models work as clients, and they'll even get to choose the fabric and general feel of the cocktail dress look. That fabric, it turns out, will be green.

No, not green like Kayne's splatter-painted paper dress. Green like every other damn thing is nowadays--environmentally friendly. Unless you count sight pollution as environmentally unfriendly, because there will definitely be some of that tonight.

The models prove to be no more eloquent than the majority of the designers, and Jerell is justifiably worried that they'll all come back with "remnants of nonsense." Wasn't that a Strawberry Alarm Clock song? Regardless of how the models do, Suede wants to (predictably) "put a little Suede into" his model's look. Someone needs to tell him suede ain't green.

Blayne adds "-licious" to about fifteen new things tonight, and someone let a very drowsy Iggy Pop compete in this challe--oh, wait, that's just Stella. In this competition, seriously, she's a waste of space. Even if it is mildly entertaining to see Blayne and the other designers mock her audibly for her leathery desires. At least everyone's getting tired of character-y shtick this year; no one's got much patience for Suede's third personing.

Oh, hey, this is a design competition. Korto's exoskeleton of darting seems to bewilder Tim, but Korto just plugs on with her constant references to being African (yes, we remember from last week's introductions). Suede's look is reminiscent of Mumm-Ra the Everliving in electrical tape, as he cuts his model's fabric into thin strips and wraps them around her torso. But wouldn't you know it; by the time he nears the end of competition, it's actually starting to work.

Wesley and Leanne are stuck working with a very temperamental swath of brown satin (temperamental as all satin is), and things do not progress well with them. As they stitch on, Tim informs the crew that there will be no immunity granted this week, but that instead, Bluefly.com will produce and sell the winning look. The guest judge for such a challenge will be a young and glamorous Hollywood star that they'll meet later. I'm guessing Suri Cruise.

This bunch of designers has to be the scrambliest, least efficient crew on PR yet. I can't have been warped by Christian's furious fingers this much, can I? There's a ton of work they all have to do as the clock hits midnight, and the goal was to be done by then. Wesley's fit is godawful; things aren't looking good. But the whole bunch is kind of embarrassing themselves with the amount of work they have to do.

Amazingly, they all manage to finish (more or less) by the runway show. At the runway, we finally meet the guest judge: star of stage and screen, Natalie Portman. My fiancee accuses me of having indecent thoughts about Ms. Portman, and her comment was "well, this certainly works out well for you!" Anyway, THOUGHTS!
  • Keith: Okay, but fit is questionable. A little baggy.
  • Terri: Again, I love her look. My notes read, "winner."
  • Wesley: Notes: "Ugh."
  • Jerell: Did he use human hair for the fringes? Too damn short, too damn crazy.
  • Jennifer: Cute, but not cocktail.
  • Daniel: Nice babydoll look, safe.
  • Joe: Great fit, seaming seemed invisible to my eyes.
  • Suede: Interesting visual, but is it too "ballerina"?
  • Kenley: Not bad, but very "Christian".
  • Kelli: Tight, boring.
  • Leanne: Notes: "Yeah, no."
  • Stella: Again, so short! Nothing special.
  • Blayne: Problems with fit.
  • Emily: Okay, is this a cocktail party challenge, or a naughty maid challenge? Short as hell, definitely unfulfilled promise.
  • Korto: Interesting. Maybe not a winner, but certainly safe.

Kenley, Wesley, Stella, Korto, Suede, and Leanne are held back for judging. The rest are safe. Again, I totally flub it on Terri. Is it just me, readers? Is she getting the shaft, or fair treatment?

During judging, we learn that everybody dug Kenley's look, and Tim's comment about the striking look of the belt saving the design is supported by the judges. Wesley took an amount of fabric he was uncomfortable with, and worked it within an inch of its life. Nina calls "tight and short" "the quickest way to look cheap." Ow.

Stella marks a significant improvement over Week 1, with nice lacing and a strong self-statement while still sticking to her model's wishes. As for the outer darts Tim warned Korto against...well, the judges say it best: "even curvy girls don't want fins off their butt."

The most universal and vocal praise is saved for Everyone's Favorite Third Person, Suede. Natalie likes it. Nina likes it. If Heidi were ten years younger, she'd wear it (oh Heidi, you don't have to worry about looking old for a good couple decades yet). Michael likes that he used satin completely differently from everyone else who had it. Such as Leanne, whose model did nothing to salvage what was another overwrought, underlong brown satin turd. Natalie's best compliment is that, combined with the hair, it's got a certain cute Peter Pan quality. Not a strong contender.

My guesses were Suede FTW and Leanne to depart. Both Leanne and Korto are showing signs of impeding Early Season Emotional Breakdownitis as we head to a commercial break that features some creative math. The circled winner of the poll (between most "crazy!" designer tendencies or characteristics) had 37% of the vote, while second place held down...47%? I've heard of "less is more," but this is ridiculous.

With Stella safe, Suede takes the prize over Kenley. Suede gives props to his mom. Meanwhile, his mom is somewhere asking, "Who the hell's 'Suede'?" Korto is also safe, and completes her triple lutz breakdown in the waiting room. That leaves the two brown streaks racing to the bottom, and the ultimate loser is...Wesley?!? But Natalie really liked his little bowtie dealie! Huh. Oh well. At least this way, we get more top-notch weepiness, as Leanne consoles Wesley in the waiting room, crying "I can't imagine you not being here!" on his shoulder. Sheesh. It's been two friggin' days.

Stay tuned next week uh, later, this week for a field trip in rainslicks with Tim, and an unfortunate "Carmen Miranda moment" that cannot bode well for Korto. "My veggies!!" Vigilance!

Project Runway: 10 items or mess

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Well, here we are, beginning a new season of Project Runway on Bravo. Disregarding the pending litigation against Harvey Weinstein, this will be Bravo's last chance to pummel viewers with Heidi Klum's signature line, "NEEEEENA GarCIIIIIIA." Here's hoping something gets worked out, because I don't anticipate good things for the show once it moves to Lifetime.

The first episode is always a little awkward. Part first day at a new job, part first day of school, part first day of MTV's The Real World, Day 1 is a goofy mix of childlike awe and false bravado. The boys -- Jerrel (28), Blayne (far too tanned, 23), Joe (41), Jerry (32), Suede (37, and yes, it's just "Suede"), Keith (26), Daniel (25) and Wesley (23) -- settle into their rooms, while the girls -- Stella (42), Jennifer (the only nerdy girl currently living in Italy, 27), Kelli (27), Terri (39), Korto (33), Leanne ("the silent fashion assassin," 27), Emily (27) and Kenley (who got an absurdly late intro by the editors, 25) -- do the same with theirs.

It's clear that this season will be a youth movement. The oldsters stand out in the crowd, and Bravo doesn't do 'em any favors. They let Joe's pronouncement of having two kids at home hang on the screen a little too long, and biker bar regular Stella looks tired and irritated from the get-go. Only Terri, who describes her style as "Michael Jackson-meets-Aerosmith," appears to have the juice to keep up with the kids.

The designers get the memo to head up to the roof, where they see Heidi and our man Tim. Of course, the usual invisible barrier prevents the designers from getting closer than 25 feet from the real stars of the show. "Please come no further! You all smell like economy class." After some exceptionally corny chatter, the designers are told that there will be no instruction tonight; let's get plastered!

First observation is that most of these designers have their own lines and labels already. While they may or may not be as talented as, say, Season 2's lineup, they're certainly established in the industry.

They get the Tim Alarm Clock at 4 AM (there's a 4 o'clock in the morning now?), and after a hasty cleanup, they all trudge out into the New York dawn. Their destination? The familiar Gristedes Mega Store, aka the grocery store from the first Season 1 challenge. The guest judge and visiting sprite from the land of toadstools will be the winner of that challenge, the indefatigable Austin Scarlett. He and Tim explain that the designers will have $75 and 30 minutes to do what they did back in the old days: innovate something out of -- in terms of fashion value -- nothing. They all flagrantly violate the crosswalk laws of NYC and barge into Gristedes.

Second observation is that Stella just doesn't have the demeanor or outlook for PR. She reminds me of Nimma from this most recent season of Top Chef: "I'm not here to have fun." Oh, and thank you Bravo for making the transition from food show blogger to fashion show blogger that much easier for me by having the first challenge of Season 5 start in a grocery store. It's like an old pair of pink Crocs!

Somewhere, Chris March winced when Korto violated the Don't Design with Food rule, going with leafy greens and cherry tomatoes to mock up a jeweled brooch. One hopes that these guys are all well-versed with the history of the show, because nothing was as embarrassing as when Santino used the same fabric in his graffiti dress in S2 as Austin did for his Grammy dress in S1 (did I just type that sentence?).

With immunity on the line, the designers get back to the workroom and start stitching--er, melting plastic and burning coffee filters. Most of the first episode is getting to know the designers on a personal level. We see that Joe might be the PR version of Nikki from Top Chef; unflinchingly Italian. Jerell is no Santino in the "impersonating Tim" department. Blayne is an absolute beachbum tool; how do you even become a beach bum in Seattle?

At first, Kelli's look seems like trouble. She appears to be going more along the Waste Management challenge route, and Jerry notes the same thing about a lot of the designers. Seems like more trash than groceries. And a hell of a lot of tablecloths. Suede is worried that his will look like "just a tablecloth". Newsflash, Suede: it is just a tablecloth. In fact, there are so many tablecloth sewers that Tim's first visit closes with a remarkably stern chiding: the point was to use "untraditional and unexpected" materials! The judges are going to say you're all a bunch of slackers!

Third observation: the longer Blayne sticks around, the more we're going to be treated to moments like this:

Blayne: "Holla atcha boy, Tim."
Tim: "All right."

My thoughts as we move to the first commercial break in the workroom scene is that Daniel's plastic cup shell dress has promise, Kelli's coffee filter marbelized thing is actually coming along, and Terry and Stella are totally in the weeds. When we come back, everyone is encouraging Stella to get her ass in gear (as in, "we want a friggin competition, not some winded smoker quitting early!"). Jerry's raincoat, a cute idea in the grocery store, is looking freaky. Another designer pegs it perfectly as very reminiscent of Christian Bale's American Psycho. Too true! The designers get their models dressed (Blayne's is a little curvy, and needs the ass let out a little; welcome to national TV, models!), Korto runs out of the room shouting "my veggies!", and the runway show is on.

On the runway, it took me a moment to connect when Nina was introduced as still working at Elle. Since she doesn't start at Marie Claire until September, I guess we'll be seeing her connected to her old job for the rest of the season. Kind of appropriate for a show on the way out at Bravo.

Runway thoughts: Leanne's look is sexy candy striper from the front, Audrey Hepburn from the back. Korto's is well-built but feels a little Carmen Miranda. Daniel has constructed a clamshell topped with jiggly boob (mmmm....jiggly boob). Terri did some nice braiding with her mop heads. Suede's is a mess. Stella's is terrible. Joe's skirt moves well, and has nice color. Kenley's isn't awful. Jerry's is truly odd, as is Blayne's. Kelli's skirt is fantastic, but the coffee filter bustier seems kinda silly. Keith pulled off a low degree of difficulty pretty well. Korto, Blayne, Jerry, Kelli, Daniel and Stella are pulled out for further comment.

(nice collage pic of all the looks at Blogging Project Runway)

The couch appraisal at the HQ here is that Kelli is looking strong (Nina calls it resourceful, great), Daniel's was pretty good (Austin thought it stood out, Michael likes the creativity), and Stella and Jerry are in a race to the bottom ("It's a yawn" vs. "Is she, like, a bridal nurse?"). Blayne's "Playboy bunny gone grunge" is obviously going to sruvive on sheer audacity, and Korto's construction is way too good to be eliminated for relying so much on tablecloth.

The judges commune, and Kelli's overall creativity and fashion sense take the day over Daniel's singular innovation. Congrats Kelli! While Stella's is "butt ugly" according to Heidi, Jerry's is too slasher. Jerry, ya gone. Sorry pal, there's got to be a Simone every year.

As always, you end the first episode hoping that the season doesn't devolve into a self-referential snoozefest. The upcoming scenes promise some drama, but it's hard to say. I think Daniel, Keith, Kelli and Terri are potential front-runners. I think Kenley is stealing her clothes from Leslie Feist's closet. I think Blayne has a lot of work to do to get from totally obnoxious to charmingly obnoxious. I think Stella is on borrowed time. And lastly, I think this recapping thing will work out all right. I encourage your comments!

Project Runway 5 starts tonight

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And I, your faithful Top Chef blogger, will be diving in completely over my head to recap it.

Things I learned about fashion from Project Runway
  • "Empire" isn't always pronounced like the New York building or the Star Wars movie.
  • Making quality leather pants is actually just as hard as wearing them.
  • Designing every dress to look like a toga party costume is generally good, but being an actual costume designer is a liability.

What will I learn this season? Stay tuned tomorrow morning as I recap the fifth -- and final for Bravo, maybe -- season of Project Runway.

The Luther Burger

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Yeah.

(click the pic for more, if you can handle it)

(avail. after 7pm)

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Having a front door that leads directly to the out-of-doors is pretty nice, except when the bugs arrive in early summer. Yeesh. We can't even use the door if our porch light is on; it's like a zoo exhibit.

Enter: our onsite maintenance manager.



This little guy has been getting seriously busy on the burgeoning bug population in our neighborhood. I've begged Kristine to not whack him (as she might otherwise be wont to do), as he's doing the best he can to pitch in.



His web gets cleaned out almost daily, and refilled just as fast. It's pretty amazing. Too bad he couldn't clean up this web, that showed up unrequested in our side window a couple months ago.



Sonsabitches.

At least we didn't have to pay to repair it. Hooray for renting!